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Beauty and the Beast is a 2014 Franco-German romantic fantasy film based on the traditional. Create a book Download as PDF Printable version.
French novelist Gabrielle-Suzanne Barbot de Villeneuve’s classic fairy tale La Belle et la Bête is no stranger to cinematic adaptations. The 1991 Disney classic remains a pop-culture masterpiece, and many a film nerd champions Jean Cocteau’s 1946 retelling (starring Jean Marais in then-revolutionary prosthetic makeup as the Beast) as the pinnacle of film fantasy. With a live-action remake around the corner for Disney, it’s interesting to look at 2014’s Beauty and the Beast, directed by Brotherhood of the Wolf and Silent Hill director Christophe Gans, as a litmus test for the continued relevance of the tale. Just how many times can you revisit a story famously referred to as “a tale as old as time”?
Gans’ approach to the material is to offer the kind of sumptuous, detailed update to the Cocteau classic that the upcoming Emma Watson Disney adaptation will presumably take to the 1991 animated Beauty and the Beast – offering straightforward, uncomplicated storytelling with a dash of modern CG and a few twists here or there. This time around, a few more cues are taken from the original fable: Belle (Lea Seydoux) is the youngest of the three daughters of a wealthy merchant (Andre Dussollier) who finds himself taking shelter in the mansion of the grotesque Beast (Vincent Cassel, brooding under an unconvincing feline CG mask). Beast gives him one day to put his affairs in order before returning to the mansion to die, but Belle offers herself in her place. While she lives as his captive, she learns more about the Beast’s backstory and how to love him.
The chief appeal of Gans’ Beauty and the Beast is its sumptuous, ornate production and costume design, and the flamboyant glee with which Gans’ camera captures it all. The whole look of the film is right out of the modern Disney playbook, with sharp contrasts of color and artificially luminous landscapes that delight the eye, almost to the point of sensory overload. Gans’ playful and indulgent camerawork ensures that every one of Seydoux’s vibrant dresses gets a long dolly shot around it, and no opportunity for a visual tableau goes ignored. By all metrics, it’s an absolutely stunning film to look at, despite the saturation of high-budget green-screen fantasy we’ve seen ever since The Lord of the Rings.
However, thanks to a combination of the film’s length (a bloated 113 minutes), the inherent limitations of the fairy tale itself, and the sheer oppressiveness of the film’s visuals, Beauty and the Beast runs out of steam just as it starts to get going. After all, it’s the world’s oldest story about Stockholm syndrome, which is tough to update no matter what glimmers of defiance and agency Seydoux attempts to infuse into her version of Belle. Meanwhile, Cassel struggles to emote through the equally unconvincing facial animations of the Beast, and he and Seydoux (both fantastic actors in most contexts) lack the chemistry to help sell their romance through pounds of dated computer fakery and tight corsets.
- In town, the merchant is forced to flee into the forest when Perducas.
- Jun 24, 2015 - 1810. After losing his fortune at sea, a ruined merchant is forced to retire to the countryside with his six children. Among them is Belle, his.
- Feb 23, 2017 - Movie Release Year: 2014. Beauty and the Beast (2014). The Beast (Vincent Cassel) vows to kill the man, but Belle selflessly takes his.
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Instead of gallivanting with a cast of dynamic supporting characters in the castle, Belle is stuck learning about the Beast’s mythic origins in contrived and overlong dream sequences. Her only non-Beast companions are a herd of deformed puppy-like creatures which curiously lurk in the shadows around her (presumably to hide the dodgy CG with which they’re rendered). Outside of the castle, the characters fare little better – the sisters, who exist for comic relief, are annoyingly unfunny, and Belle’s three brothers (manufactured for the film) are thinly drawn. Even the beautiful visuals start to get in the way after a while, as the Maxfield Parrish-inspired images become repetitive.
Trading the expert minimalism of Cocteau’s classic for garish, flamboyant visual splendor may have seemed like a good idea, but Gans and crew forgot to fix the film’s pace and cultivate chemistry between its two leads. While Gans is a visual master, his vision of Beauty and the Beast is more thorn than rose.
Trailer:
EditSeries Directed by
| Fabrizio Costa | ... | (unknown episodes) |
Series Writing Credits
| Francesco Arlanch | ... | (2 episodes, 2014) |
| Elena Bucaccio | ... | (2 episodes, 2014) |
| Mario Ruggeri | ... | (2 episodes, 2014) |
| Lea Tafuri | ... | (2 episodes, 2014) |
| Gabrielle-Suzanne Barbot de Villeneuve | ... | (based on a story) (unknown episodes) |
| Jeanne-Marie Leprince de Beaumont | ... | (based on a story) (unknown episodes) |
Series Cast
| Léa Bosco | ... | Helene 2 episodes, 2014 |
| Giusy Buscemi | ... | Juliette 2 episodes, 2014 |
| Jaime Olías | ... | André 2 episodes, 2014 |
| Alessandro Preziosi | ... | Beast 2 episodes, 2014 |
| Blanca Suárez | ... | Beauty 2 episodes, 2014 |
| Alberto Basaluzzo | ... | Bastian 1 episode, 2014 |
| Francesca Beggio | ... | Eveline 1 episode, 2014 |
| Giovanni Calcagno | ... | Jerome 1 episode, 2014 |
| Francesca Chillemi | ... | Corinne 1 episode, 2014 |
| Cecilia Dazzi | ... | Albertine 1 episode, 2014 |
| Andy Luotto | ... | Armand 1 episode, 2014 |
| Tommaso Ramenghi | ... | Olivier 1 episode, 2014 |
| Andrea Santonastaso | ... | Florian 1 episode, 2014 |
| Massimo Wertmüller | ... | Maurice Dubois 1 episode, 2014 |
Series Produced by
| Luca Bernabei | ... | producer (2 episodes, 2014) |
| Federico Foti | ... | line producer (2 episodes, 2014) |
| Vincenzo Mosca | ... | associate producer (unknown episodes) |
Series Film Editing by
| Luciana Pandolfelli | ... | (2 episodes, 2014) |
Series Casting By
| Barbara Giordani | ... | (2 episodes, 2014) |
Series Production Design by
| Cosimo Gomez | ... | (unknown episodes) |
Series Set Decoration by
| Andrea Di Palma | ... | (2 episodes, 2014) |
Series Costume Design by
| Enrica Biscossi | ... | (2 episodes, 2014) |
Series Makeup Department
| Pablo Cabello | ... | hair stylist (2 episodes, 2014) |
| Alessandro D'Anna | ... | makeup artist (2 episodes, 2014) |
| Giancarlo Del Brocco | ... | makeup designer (2 episodes, 2014) |
| Stephanie Ingram | ... | hair stylist (2 episodes, 2014) |
Series Production Management
| Claudio Lullo | ... | production manager (2 episodes, 2014) |
| Rosario Ranieri | ... | post-production supervisor (2 episodes, 2014) |
| Andrea Tavani | ... | production manager (2 episodes, 2014) |
Series Second Unit Director or Assistant Director
| Jan Michelini | ... | second unit director (2 episodes, 2014) |
| Simone Poggi | ... | second assistant director (2 episodes, 2014) |
| Filippo Fassetta | ... | first assistant director (unknown episodes) |
Series Art Department
| Natasha Peschlow | ... | assistant art director (2 episodes, 2014) |
Series Sound Department
| Will Farrell | ... | sound desgner / sound designer (2 episodes, 2014) |
| Mirko Guerra | ... | sound recordist (2 episodes, 2014) |
| Tom Slattery | ... | adr recordist / foley editor / foley mixer / sound effects editor (2 episodes, 2014) |
| Dave Tinsley | ... | adr director / re-recording mixer / supervising sound editor (2 episodes, 2014) |
Series Special Effects by
| Massimo Ciaraglia | ... | special effects / special effects coordinator (2 episodes, 2014) |
| Paolo Galiano | ... | special effects (2 episodes, 2014) |
| Fabio Traversari | ... | special effects supervisor (2 episodes, 2014) |
Series Visual Effects by
| Stefano Colaprete | ... | digital compositor (2 episodes, 2014) |
| Martina Gismondo | ... | digital compositor (2 episodes, 2014) |
| Giulia Infurna | ... | compositing supervisor (2 episodes, 2014) |
| Lorenzo Moneta | ... | digital artist: matte painter (2 episodes, 2014) |
| Giuseppe Squillaci | ... | visual effects supervisor (2 episodes, 2014) |
| Micaela Tempesta | ... | digital compositor (2 episodes, 2014) |
Series Stunts
| Alessandro Novelli | ... | stunt coordinator (2 episodes, 2014) |
| Emiliano Novelli | ... | stunt supervisor (2 episodes, 2014) |
| Paolo Antonini | ... | stunts (1 episode, 2014) |
Series Camera and Electrical Department
| Davide Borsa | ... | additional first assistant camera (2 episodes, 2014) |
| Florin Covaci | ... | electrician (2 episodes, 2014) |
| Andrea Mina | ... | electrician (2 episodes, 2014) |
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Series Casting Department
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| Flavia Toti Lombardozzi | ... | casting assistant (2 episodes, 2014) |
Series Costume and Wardrobe Department
| Claudette Lilly | ... | assistant costume designer (2 episodes, 2014) |
Series Editorial Department
Beauty And The Beast 2014 full movie, online, free download
| Nicola Bonifati | ... | on-line editor: assistant editor (2 episodes, 2014) |
| Antonio Centonze | ... | colorist (2 episodes, 2014) |
| Elena Griguol | ... | post-production coordinator (2 episodes, 2014) |
| Ferdinando Russo | ... | post-production assistant (2 episodes, 2014) |
Series Music Department
| Angelo Giovagnoli | ... | orchestra coordinator (2 episodes, 2014) |
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Series Other crew
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| Serena Peleggi | ... | production coordinator (2 episodes, 2014) |
| Alessandra Roveda | ... | making of (2 episodes, 2014) |
| Fabrizio Sapino | ... | production staff (2 episodes, 2014) |
| Giorgio Di Lillo | ... | cashier (1 episode, 2014) |